Actually, he was only about half right. Used tastefully and in moderation, dissonance can create mood in ways that consonance cannot easily match. As with nearly all of the musical techniques that he argued were historically dissonant (with the exception of basic polyphony), however, used in excess, it sounds like crap.
IMO, the key to the tasteful use of dissonance is to make sure that the dissonance is not the focus. On the one extreme, you might have the subtle use of dissonant suspension and release
Source: http://rss.slashdot.org/~r/Slashdot/slashdotScience/~3/tXyZiuq7Qz0/story01.htm
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